Product Code: P906158084
Original price was: $49.99.$29.99Current price is: $29.99.[[Release Detail]]
Death Waltz Recording Company is proud to present the pulsating Italian synth score to director Alfonso Brescias 1980 sci-fi adult action film, THE BEAST IN SPACE (La Bestia nello Spazio).
Borrowing heavily from Walerian Borowczyks THE BEAST (La Bte), most notably its sexy b-movie seductress Sirpa Lane, along with elements of STAR TREK, CALIGULA, and even STAR WARS (light saber battle, anyone?), this treasure trove of trash cinema is truly a sight to behold. Throw in a plethora of hardcore stock footage inserts, including a loving pair of amorous horses (be sure to experience the XXX-rated version), this heavily scotch-taped piece of sleazy celluloid also features one of the genres finest electronic soundtracks. Veteran Italian composer Marcello Giombini, credited in the film as Pluto Kennedy (best sci-fi pseudonym ever?), delivers a brilliant synth and effects-heavy score that was not only fitting of the outlandish images on the screen, but also clearly influenced by Wendy Carlos A CLOCKWORK ORANGE synth work. Who better than Giombini to deliver the appropriate soundtrack to an intergalactic struggle which somehow ends up with a giant well-endowed space faun chasing Sirpa Lane around an extraterrestrial landscape. This score will surely enhance your auditory senses during your next space sexcapadebut be forewarned, dear friends you never know who (or rather, what) might pop up.
[[Release Description]]Death Waltz Recording Company is proud to present the pulsating Italian synth score to director Alfonso Brescias 1980 sci-fi adult action film, THE BEAST IN SPACE (La Bestia nello Spazio).
Borrowing heavily from Walerian Borowczyks THE BEAST (La Bte), most notably its sexy b-movie seductress Sirpa Lane, along with elements of STAR TREK, CALIGULA, and even STAR WARS (light saber battle, anyone?), this treasure trove of trash cinema is truly a sight to behold. Throw in a plethora of hardcore stock footage inserts, including a loving pair of amorous horses (be sure to experience the XXX-rated version), this heavily scotch-taped piece of sleazy celluloid also features one of the genres finest electronic soundtracks. Veteran Italian composer Marcello Giombini, credited in the film as Pluto Kennedy (best sci-fi pseudonym ever?), delivers a brilliant synth and effects-heavy score that was not only fitting of the outlandish images on the screen, but also clearly influenced by Wendy Carlos A CLOCKWORK ORANGE synth work. Who better than Giombini to deliver the appropriate soundtrack to an intergalactic struggle which somehow ends up with a giant well-endowed space faun chasing Sirpa Lane around an extraterrestrial landscape. This score will surely enhance your auditory senses during your next space sexcapadebut be forewarned, dear friends you never know who (or rather, what) might pop up.